Cited by three voters in the 2021 Sight & Sound survey of the year's best video essays: 
"Ian Garwood has used tweets as ‘research outputs’ in a novel way as part of his Indy Vinyl project (see his 2020 article in NECSUS) but Will DiGravio has actually deployed the structural affordances of Twitter in his year-long analysis of Rio Bravo. In 365 daily tweets, DiGravio methodically posted 22-second clips from Hawk’s film prefaced by an observation or reaction in 280 characters. This is ‘video/essay’ as iterative performance rather than reporting of analysis and I like to think of it in the tradition of Barthes’ S/Z, where scientific method is pushed to absurdist (and intensely personal) ends."
- Alan O'Leary, Aarhus University
"Watching the Rio Bravo Diary unfold all year has been such a treat. I didn’t grow up with any real affinity for the western, so to read Will’s essays about what this film in particular meant to him growing up and coming of age really helped me reappraise this specific film. His transparency has been really revelatory to see, and I really appreciate how he’s invited us all to get to know him a little better through this year-long project. Further, the consistency and discipline of dealing with a single text for a full 365 is such an interesting experiment in the first place." 
- Cydnii Wilde Harris, film scholar and video essayist 
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